This study investigates barriers to developing enterprise in deprived communities, highlights trade-offs local authorities face and offers guidance that contributes to a model for developing a community-centered enterprise culture that is critical for reinvigorating disadvantaged groups. Alex
Avramenko and Nikolai Mouraviev focus on deprived communities where entrepreneurship traditionally was extremely difficult to conceive and offer insights on under-researched issues, such as enablers of entrepreneurship by local government's integrated approach that blends opportunity generation with
capacity and skill building, complemented by support services. They also focus on the formation of an enterprise culture that should become a foundation of policy, enablers and tools for revitalizing deprived communities.Chapters explore range of issues and examples, including rethinking the
dynamics of micro enterprise, rural entrepreneurship, senior entrepreneurship, entrepreneurship in a cosmopolitan city, civic/community-centered entrepreneurship and lifestyle entrepreneurship.
Drawing from research conducted at the Rock and Roll Hall of Fame archives, and the author's experience as a local musician, this book offers a micro-historical case study of Cleveland's popular music heritage. Among just a handful of books dedicated to the popular music heritage of Cleveland, it
traces myths of "where rock began to roll" in the self-proclaimed "birthplace of rock and roll". Numerous cities have sought to capitalize on their popular music cultural heritage (e.g., Liverpool, Memphis, Detroit, Nashville) as an engine for cultural regeneration. Unusually,
rather than a focus on famous musicians and groups, or well-known recording studios and legendary venues, Cleveland's popular music "origin story" is spun from events of the early 1950s, centered on local radio stations, maverick disc jockeys, second-hand record stores, a riotous concert
and youthful, racialized audiences at a moment on the cusp of sweeping social changes.
This book untangles the construction of popular myths about "first" rock 'n' roll concert--the Moondog Coronation Ball on 21 March 1952, hosted by legendary DJ Alan Freed--the "invention" of the phrase "rock 'n' roll", and the subsequent rebranding of Cleveland as the
"birthplace of rock 'n' roll" by local radio station WMMS "The Buzzard" during the 1970s. These myths re-emerged and re-circulated in the 1980s during the successful campaign to attract the Rock and Roll Hall of Fame. The author explores the fascinating and unusual story of
Cleveland, uncovering how and why it became the site of a major popular music museum.